Aday on tour with Doja Cat begins, against all reasonable assumptions, quietly. Amala Dlamini (known by her friends as Ami) rolls over at a civilised hour, showers, pulls on her pyjamas and heads to the venue. Soundcheck is negotiable. Vocal lessons are not. She’ll settle into her greenroom, light a vanilla-cupcake candle and have her glam team workshop a look. Then, it’s time for wardrobe. 
‘I mean, that’s the really fun part for me personally,’ she notes. Her call time, by this point, is approaching with some urgency.

On Tour Ma Vie, the world tour accompanying her fifth studio album Vie, she spends a sizeable portion of her time on stage doing the absolute most. She raps her ass off. Shouts, stomps, swings and sings around the stage without missing a note or a beat. At one point, she lies flat on her back, singing into a microphone hanging from the hook of a heel raised above her head. There’s 
a burlesque-inspired floor-work segment closing out fan-favourite ‘Wet Vagina’, a flexible display so erotic that one Manila audience member captioned their TikTok with: ‘The floor after nine months’, followed by the pregnant-woman Emoji. My personal pick: when she stole a sign from a fan reading ‘F*ck costume changes’, 
which she brandished gleefully to the crowd. She ate that. No, literally – scrunching it into a ball and popping it in her mouth.

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